![]() ![]() Avchd format speeds movie#Fluid playback, the availability of zoom during recording and continuous autofocus make the movie mode a user-friendly option. Now in its second generation the format can deal with what’s known as progressive capture - that being that every line is recorded and displayed simultaneously - at 50 frames per second. The AVCHD format has been updated in recent months. This can be set to f/8.0 at its smallest, often meaning only two to three aperture options are available at any given focal length.Ĭreative Control mode also features on the top mode dial for in-camera effects such as Black & White and Sepia. Aperture control is fairly limited, ranging from f/3.3 at the 24mm wide-angle, extending to f/6.4 at the 480mm setting. Avchd format speeds manual#In addition to Auto control there are also full Manual controls for those that know their apertures from their shutter speeds. If you’re a 3D fan then it works well enough, though framing can be a little tricky because of the necessary camera movement. This works by moving the camera in real time for it to take multiple images - two then being assembled into the one file for a true 3D image. Like its predecessor, the TZ30 also has a 3D mode that can record MPO files for playback on 3D-capable TVs or other devices. As it stands the TZ30 is capable of around 260 shots per charge, but it won’t reach this number if GPS is switched on in the menu. ![]() GPS is a fun feature, but it doesn’t half suck the juice out of the battery. New to the TZ30 is the inclusion of mapping data (included on a disc in the box) that can be loaded on to the camera via SD card to provide maps and points of interest. TZ30: crammed with techĪlso included is Global Positioning Satellite technology that can track where shots are taken. Overall the TZ30 is a step up in the imaging department when compared to the TZ20 model, and although it’s not quite a giant leap forward, it’s yet another positive for a camera that already has an abundance of top features. Avchd format speeds iso#It’s when shooting upwards of ISO 800 that less detail is resolved, though shots to ISO 1600 are still quite usable, despite a softer appearance. For point-and-shoot work that means handheld shots in well-lit scenes won’t introduce any distinct issues, though fine details can suffer because of processing and there’s some visible correction for colour fringes - those (often) purple-coloured "shadows" that appear by high contrast areas, such as tree branches against a white sky. With an ISO sensitivity that ranges from ISO 100-3200 the TZ30 does produce decent images at the lower settings. It’s super simple to use and very effective. This identifies the subject and will fix the focus – even if the subject moves around the scene or goes away from the camera’s lens. ![]() But there’s plenty of user control too: the 3in, 460K-dot LCD screen is touch-sensitive and rather than always using the d-pad to position where it's possible to focus to, just plant a finger on the screen to activate Tracking AF. The camera can take care of assessing where to focus and does a good job of picking out subjects. If anyone’s used the latest Lumix GX1 or GF3 models then you’ll already know just how fast the autofocus is, and this translates well for the TZ30. Light Speed AFĪnother headline feature: the TZ30 rips the "Light Speed AF" autofocus system from its bigger brother G-series models. It’s also optimised for movie mode to counteract the distinct jolty motion that occurs when walking or moving at pace. Plenty of compact cameras use stabilisation systems these days, but the TZ30’s Power OIS system is exceptional, right into those longer focal lengths. What makes the lens most outstanding is the inclusion of optical image stabilisation. ![]()
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